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Heaven and Earth: The Middle Ages in Hildesheim and in Greece

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Archangel Michael , First half 14th century tempera on wood, gold leaf  overall: 110 x 80 cm (43 5/16 x 31 1/2 in.) Byzantine and Christian Museum, Athens Gold radiates throughout dimly-lit rooms of the National Gallery of Art's exhibition, Heaven and Earth: Byzantine Art from Greek Collections.  Some 170 important works on loan from museums in Greece trace the development of Byzantine visual culture from the fourth to the 15th century. Organized by the Benaki Museum in Athens, it will be on view until March 2 and then at the J. Paul Getty Museum in Los Angeles beginning April 19.  The National Gallery has a done a great job organizing the show, getting across themes of both spiritual and secular life spanning more than 1000 years.  The exhibition design is masterful and includes a film about four key Greek churches. The photography is exquisite and provides the full context for the Byzantine church art. There are dining tables, coins, ivories, jewelry and other o...

The Last Missing Pieces of The Monuments Men

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Jan Van Eyck, Mary, part of the Deesis composition,  detail of The Ghent Altarpiece in St. Bavo's Cathedral, Ghent, Belgium, c. 1430 photo source: Wikipedia The Monuments Men  is a true story about saving cultural artifacts in war.  George Clooney has done a great job acting and directing this film which has an important message about art, what it means for us and the efforts some would go to save culture. One woman who played a huge part in saving art is shown and Cate Blanchett played that role with depth and finesse.   An all-star cast doesn't guarantee good reviews, but I often disagree with movie reviewers.   Matt Damon, Bill Murray and Jean Dujardin star in the movie, too. Tourists in front of the Ghent Altarpiece in recent times. A film, The Monuments Men, explores its theft and recovery in World War II.  Photo source: daydreamtourist.com The star monument is Jan Van Eyck's The Ghent Altarpiece , an example of one of the earliest oil paintings....

Stitches and Patches Now and Then

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Rania Hassan, Pensive I, II, III , 2009, oil, fiber, canvas, metal wood,  Each piece is 31"h x 12"w x 2-1/2"  It's currently on view at Greater Reston Arts Center. There's a revival of status and attention given to traditional, highly-skilled arts and crafts made of yarn, thread and materials. "Stitch," a new show at Greater Reston Arts Center ( GRACE ), proves that traditional sewing arts are at the forefront of contemporary art, and that fiber is a forceful vehicle for expression.  Meanwhile, the National Museum of Women in the Arts puts the historical spin on traditional women's art in " Workt by Hand ," a collection of stunning quilts from the Brooklyn Museum which were shown in exhibition at their home museum last year. Bars Quilt , ca. 1890, Pennsylvania; Cotton and wool, 83 x 82"; Brooklyn Museum, Gift of Mr. and Mrs. H. Peter Findlay, 77.122.3; Photography by Gavin Ashworth, 2012 / Brooklyn Museum Quilts are normally very lar...

East Meets West in Mandala Art

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Temporary floor mandala, flashed by light onto the floor of the Smithsonian's Sackler Gallery of Asian Art Mandalas, an important tradition in India, Nepal and Tibet have spread well into the West, or as some think, have always been in the West.  The exhibition,  Yoga: The Art of Transformation  at the Smithsonian's Sackler Gallery of Art, takes us into art and history surrounding the physical, spiritual and spiritual exercise of yoga.  It's the first exhibition of its kind. This is the last weekend of the show, featuring works of art in Hindu, Jain and Buddhist practice.   Yoga hold some keys to mental and physical healing. We're led into yoga's 3,000-year history by a series of light patterns flashed on the floor--patterns that are mandalas and have lotus patterns. (Lotus is also the name of a yoga pose.) After this weekend, they'll be gone with the show, but that's the spirit of mandalas, at least in the Tibetan tradition. Light Pattern on the floor of th...

Chagall Mosaic Gift to Washington Mall

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Detail - Marc Chagall, with Lino Melano, Orpheus , 1971, from the upper right side--Pegasus, Three Graces, Orpheus   The nation's capital city added a sudden burst of color this season in the form of Marc Chagall's  Orpheus, a glass and stone mosaic.  It's a 17' by 10' wall standing in the National Gallery of Art Sculpture Garden, between 7th and 9th Streets, NW, Constitution Avenue and Madison Avenue.  Evelyn Stephansson Nef, who died in 2009, donated it to the museum.   (The composition is one of three new acquisitions in the National Gallery, a must-see along with a Van Gogh, a Gerrit von Honthorst and a loan of the Dying Gaul from the Capitoline Museum in Rome.) The mosaic stands in the garden behind the restaurant, but in front of the heavily traveled Route 1.  Fortunately, a lot trees shield it from view of the traffic, providing a reflective space for viewers.  The sculpture garden is on the National Mall, but open only from 10-5 daily and 11-...

Into the Fields With Van Gogh

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Vincent Van Gogh,   Green Wheat Fields, Auvers, 1890 at the National Gallery of Art, a recent gift from the Collection of Mr & Mrs Paul Mellon Vincent Van Gogh's Green Wheat Fields, Auvers came into Washington's National Gallery of Art on December 20, 2013.  It's a windswept scene that sucks us in with intensity and urgency.     Green Wheat Fields, Auvers is among the 70 or so paintings he did during the two months of 1890 when he lived in Auvers-sur-Oise.  Experts believe he painted it in June, 1890, the month before he died. Fortunately the new painting entered the museum at the same time Washington's Phillips Collection is hosting an exhibition, Van Gogh Repetitions, until February 2, 2014. The exhibition of 14 paintings examines why the artist repeated compositions in the same format with different colors and very minor design changes. It features several portraits, The Bedroom at Arles and two magnificent Van Goghs owned by the Phillips Coll...

Roman Arches, Vaults and Romanesque Churches

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A first century temple to Mars, or possibly Janus, near Autun (ancient Augustodunum) in Burgundy may have inspired the large churches of this region in the 11th and 12th centuries. Only a fraction of this building remains today.  Here, a family from the Netherlands had a picnic while climbing the ruin. A movement  to dot the landscape of Europe with large churches in the 11th and 12th centuries was fueled by deep Christian faith, but, initially, the important building technologies had inspiration from the remains of ancient, pagan buildings. The population surged at this time and the last invaders, the Vikings and Magyars, had settled down. A transept of St. Lazare, Autun, built around 1120 has tall arches and a blind arcade like many late Roman buildings. The rib vaults vault are an innovation of Romanesque Romanesque is the name given today to that style of art, reflecting its common traits with Roman architecture: arches, barrel vaults and groin vaults.  Altho...