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Nicolás de Jésus and students, October 2012, NVCC, Annandale, VA, right side The day of the Dead ( Día de los Muertos) is a starting point for Mexican artist Nicolás de Jésus, who visited and demonstrated his work in my Art Appreciation Class on October 17th. Since today is Halloween, it's a good time to explore how Nicolás de Jésus uses this theme. A mural he completed with students has been hung on the second floor of the CM Building.Is it a coincidence or not to discover this past weekend that someone near and dear to me turned out to be in an art exhibition on the El Dia de los Muertos theme? Nicolás de Jésus, Fiesta de los Muertos , etching and aquatint Nicolás de Jésus mesmerized the class as he explained his prints, impressive for their beauty, meaning and the textures. The skeletons of his prints are very animated and life-like. His art dips into memories of his childhood in the Amayaltepec region, where he learned to make art at a very young age and his father was among t...

Since going to the Miró exhibition recently, I've been reminded of Remedios Varo.  In 2000, I discovered this marvelous Surrealist in an exhibition devoted to her at Chicago's Mexican Fine Arts Museum. Called The Magic or Remedios Varo , the exhibition had been organized by Washington's National Museum of Women in the Arts and shown there. At the moment of this writing there is an exhibition at Mexico City's Museo de Arte Moderne de Mexico, entitled Remedios Varo: 50 Keys.   It includes 50 works of art and a single sculpture. Certainly Frida Kahlo is much better known, but I find Varo, who knew both Kahlo and Diego Rivera, more evocative and interesting as an artist. Varo also uses a female subject as her chief descriptive vehicle, but she is less self-absorbed than Kahlo and more concerned with the larger world. Varo was a Surrealist born in Spain in 1908, but exiled to Mexico after 1941. Like Gaudi , Miró and Dalí, she was Catalan, originally from Angles, near Girona...