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A first century temple to Mars, or possibly Janus, near Autun (ancient Augustodunum) in Burgundy may have inspired the large churches of this region in the 11th and 12th centuries. Only a fraction of this building remains today.  Here, a family from the Netherlands had a picnic while climbing the ruin. A movement  to dot the landscape of Europe with large churches in the 11th and 12th centuries was fueled by deep Christian faith, but, initially, the important building technologies had inspiration from the remains of ancient, pagan buildings. The population surged at this time and the last invaders, the Vikings and Magyars, had settled down. A transept of St. Lazare, Autun, built around 1120 has tall arches and a blind arcade like many late Roman buildings. The rib vaults vault are an innovation of Romanesque Romanesque is the name given today to that style of art, reflecting its common traits with Roman architecture: arches, barrel vaults and groin vaults.  Altho...

Diego Velázquez, Joseph's Bloody Coat Brought to Jacob, 1630 oil on canvas, Monastery of San, Lorenzo, El Escorial,  Spain, 87 3/4 x 98 3/8 in.  wikipedia image Cheating card players and fortune tellers by Caravaggio and Georges de la Tour are among the best-known paintings of deception .   Two extraordinary Velázquez paintings completed in 1630, The Forge of Vulcan and Joseph's Bloody Coat Brought to Jacob , above, are also allegories of deception from the Baroque period of art.  Although a Biblical painting and a mythological painting would not seem connected, the canvasses match in height, format and the number of figures, six each.  The painting of Jacob and sons has been cut at either end, while the other image has added canvas to the left.  Both paintings have large window openings onto landscapes on their left sides.  There are only male figures, many of them scantily dressed to show the artist's extraordinary ability at depicting muscles of...

The Erechtheion is an Ionic building, with its porches going in different directions. It commemorates the founding of Athens, with the contest between Athena and Poseidon Glistening white marbles which is seem to grow out of the hill form the picture on my mind of the Athens' Acropolis, from what I've seen in textbooks.  The city's highest hill has been a wonder to the world for 2500 years, and a symbol of Greek civilization since ancient times. One climbs the hill to get to the Propylaia, monumental gateway to the Acropolis.  A wide opening in the center allowed horse-drawn chariots to enter.  This view is from inside the hill. Although the Parthenon is Doric, this column on the ground was Ionic Yet, at any given time, so much on the Acropolis is in the process of restoration, covered up by scaffolds.  I was there on the first day of June, which, unusually, was not a sunny day. A view of the Acropolis ruins leads to another hill, capped Athens Tower I was surprised ...

This summer I finally had the opportunity to go to Greece and see the sprawling Palace at Knossos.  Actually, it's not certain if this site was a palace, administrative center, giant apartment building, religious/ceremonial building, or all of the above.  Yet it is so huge that, when discovered in 1900, archeologist Arthur Evans certainly thought he had found a true labyrinth where the legendary King Minos lived and kept his minotaur.  The name Minoan for the Bronze Age people who lived in Crete from about 2000-1300 BC has stuck. Covering 6 acres, the palace of Knossos and the surrounding city may have had a population of 100,000 in the Bronze Age According to legend, the king of Athens paid tribute to King Minos by sending him 7 young men and young women who were in turn fed and sacrificed to the half-man, half-bull minotaur. Eventually, with the aid of Minos' daughter and the inventor Daedalus, Theseus carried a ball of thread to find his way out and to slay the beast. ...

           William Alburger , Forest, 2013, 65" x 108" x 9"  rescued spalted birch, in an solo exhibition at GRACE       Eco-friendly art is meeting the world of high art, if we're to take a cue from what's showing at local art centers and galleries.  It can be stated that the earliest environmental art started with the artists' visions and applied those visions to the environment, with little interest in sustainability.        Quite the opposite trend is developing now.  Several emerging  artists, the “environmental artists” of the 21 st century put nature in the center--not the artist or the idea.  Nature is the subject and the artist is nature's follower. The following artists' creations are about the land and earth; other artists interested in the environment have been more concerned with a world under the sea .   William Alburger, Non-traditional Backwards One-Door, ...