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Velázquez's Allegories of Deception

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Diego Velázquez, Joseph's Bloody Coat Brought to Jacob, 1630 oil on canvas, Monastery of San, Lorenzo, El Escorial,  Spain, 87 3/4 x 98 3/8 in.  wikipedia image Cheating card players and fortune tellers by Caravaggio and Georges de la Tour are among the best-known paintings of deception .   Two extraordinary Velázquez paintings completed in 1630, The Forge of Vulcan and Joseph's Bloody Coat Brought to Jacob , above, are also allegories of deception from the Baroque period of art.  Although a Biblical painting and a mythological painting would not seem connected, the canvasses match in height, format and the number of figures, six each.  The painting of Jacob and sons has been cut at either end, while the other image has added canvas to the left.  Both paintings have large window openings onto landscapes on their left sides.  There are only male figures, many of them scantily dressed to show the artist's extraordinary ability at depicting muscles of...

Construction and Destruction: The Stones of the Acropolis

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The Erechtheion is an Ionic building, with its porches going in different directions. It commemorates the founding of Athens, with the contest between Athena and Poseidon Glistening white marbles which is seem to grow out of the hill form the picture on my mind of the Athens' Acropolis, from what I've seen in textbooks.  The city's highest hill has been a wonder to the world for 2500 years, and a symbol of Greek civilization since ancient times. One climbs the hill to get to the Propylaia, monumental gateway to the Acropolis.  A wide opening in the center allowed horse-drawn chariots to enter.  This view is from inside the hill. Although the Parthenon is Doric, this column on the ground was Ionic Yet, at any given time, so much on the Acropolis is in the process of restoration, covered up by scaffolds.  I was there on the first day of June, which, unusually, was not a sunny day. A view of the Acropolis ruins leads to another hill, capped Athens Tower I was surprised ...

The Splendor of Knossos and the Minoans

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This summer I finally had the opportunity to go to Greece and see the sprawling Palace at Knossos.  Actually, it's not certain if this site was a palace, administrative center, giant apartment building, religious/ceremonial building, or all of the above.  Yet it is so huge that, when discovered in 1900, archeologist Arthur Evans certainly thought he had found a true labyrinth where the legendary King Minos lived and kept his minotaur.  The name Minoan for the Bronze Age people who lived in Crete from about 2000-1300 BC has stuck. Covering 6 acres, the palace of Knossos and the surrounding city may have had a population of 100,000 in the Bronze Age According to legend, the king of Athens paid tribute to King Minos by sending him 7 young men and young women who were in turn fed and sacrificed to the half-man, half-bull minotaur. Eventually, with the aid of Minos' daughter and the inventor Daedalus, Theseus carried a ball of thread to find his way out and to slay the beast. ...

Wood, Mud and Scraps in Eco-Art Today

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           William Alburger , Forest, 2013, 65" x 108" x 9"  rescued spalted birch, in an solo exhibition at GRACE       Eco-friendly art is meeting the world of high art, if we're to take a cue from what's showing at local art centers and galleries.  It can be stated that the earliest environmental art started with the artists' visions and applied those visions to the environment, with little interest in sustainability.        Quite the opposite trend is developing now.  Several emerging  artists, the “environmental artists” of the 21 st century put nature in the center--not the artist or the idea.  Nature is the subject and the artist is nature's follower. The following artists' creations are about the land and earth; other artists interested in the environment have been more concerned with a world under the sea .   William Alburger, Non-traditional Backwards One-Door, ...

The New Wave in Design

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Various artists designed soundproof wall panels in The Next Wave, 21st century design show Congratulations to the Artisphere in Arlington, Va. for showcasing the latest in contemporary industrial design.  The Next Wave: Industrial Design Innovation in the 21st Century is an exhibition curated by Douglas Burton of Apartment Zero.  It's a kaleidoscope of many different designers from around the world, brought together in a pleasing, well-integrated exhibition.  Stacking Drawers by Yael Mer and Shay Alkalay, Israel The objects and furniture taken together become a peaceful setting to make us dream and think about where and how good design and convenient living can come together.  Sleek black and white are mixed with a selection of greens, reds and yellows.  This exhibition's design is superb; it's a treat for the eyes.  Considering that these designers did not plan their pieces to be shown with other designers, this installation is one that shows well as ...

Velázquez, Ovid's Myth and the "Spinners" of Fate

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Diego Velázquez, Las Hilanderas ( The Spinners ), oil on canvas, H: 220 cm (86.6 in) x W: 289 cm (113.8 in) The Prado, Madrid ( Not for beginning art students; I was not able to understand or interpret this painting at all until teaching a class in Mythology. )  The study of myths in all cultures, like the study of art, may seem obscure but it can illuminate some truths about humanity.  Around the world, the beauty of weaving has some association with magic. So we look to Diego Velázquez's Las Hilanderas ( also called The Spinners, The Tapestry Weavers or The Fable of Arachne) which focuses on the weaving contest between Pallas Minerva and Arachne described in Ovid's Metamorphoses .  The foreground scene is about a competition which includes spinning and carding, preparations that come before the weaving of tapestries. The final outcome of the story is implied, not shown. Velázquez used a complex composition of diagonals to weave a tale,  a fable that lovers of ...