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Valentin de Boulogne, Soldiers Playing Cards and Dice, c. 1618/20 A magnificent exhibition of Caravaggio and His Followers at the Kimbell Museum in Fort Wort h features the Washington National Gallery of Art's Soldiers Playing Cards and Dice by Valentin de Boulogne. The painting tells a story of deception. Caravaggi o had also painted Card Sharks with fewer figures. Boulogne, a Frenchman working in Rome, may have known of his composition. Boulogne's painting is a tight, close-up composition with masterfully chosen areas of ligh t. Two simultaneous episodes are taking place: dice throwing on the right and cheating card players on the left. The card sharks are the first to demand our attention, as they look startlingly real. Behind the central fig u re, who is in the process of cheating, a nother drama is happening. A man on the r ight l ooks down and covers his dice, perhaps hiding something while his adversary with the red hat seems about to erupt in anger. Although ...

St Anthony Torment by the Demons, c. 1487, was painted by Michelangelo when he was only 13. The panel, 18 x 12 inches, is warped as happens to many panels over time. The Torment of Saint Anthony is a small panel painting which was recently discovered to have been painted by Michelangelo in 1487/88. Intensive cleaning in 2008/9 led experts to believe that Michelangelo painted it when he was 12 or 13 years of age. Only four easel paintings by Michelangelo are known, and this one of is in North America, at Fort Worth's Kimbell Art Museum. Michelangelo's St. Anthony looks remarkably calm despite the demons who are scratching him St. Anthony was an early Christian of the 4th century who lived as a hermit for many years. According to his biographer, the rigorous asceticism practiced by St Anthony in the Egyptian desert allowed him to float in the air, where he was attacked by devils trying to beat him to the ground. Anthony defeated these demons on more than one occasion, but n...

The Newseum in Washington, DC, opened near the Mall in 2008. This 7-floor, 653 square-foot building on Pennsylvania Avenue is a museum of photographic, print and broadcast journalism. Its architecture combines ul tra-sleek glass with reinforced concrete. Instead of going to the National Gallery's exhibition, Andy Warhol: Headli nes, a trip to the Newseum across the street to learn abo ut real headlines and the history of journalism w ould be more worthwhile . Warhol had a need for publicity, but that does not make his art interesting and r eal li fe news deserves more of the public's attention. The 14 galleries and 15 theaters involve many historic events. A few news programs are broadcast here, including This Week . S eeing a Warh ol in person offers nothing new, unless the colors are wrong in reproduction. Size is the only difference between a real Warhol and a reproduction, but big does not make the art good. A concurrent Wa rhol exhibition at the Hirshhorn has very ...

Georgia Nassikas's triptych , Stone Wall, is in the very old technique of encaustic. . McLean Project for the Arts is currently exhibiting three contemporary artists whose techniques involve layering. I was initially attracted there to look at Georgia Nassikas' paintings made in an encaustic technique. In this medium, paint pigment mixes with beeswax to create a very thick and rugged texture, as seen in Stone Wall, above. Paint must be kept hot during application and it sets quickly. The technique was introduced in Egypt during the Roman Empire, in portraits of the deceased encased in mummies. Nassikas uses the wax from the hives of bees she keeps, as it is necessary to cover the large areas of the multi-layered canvases she paints. Many diverse, uneven shades of color show through the wax in both abstract and landscape paintings. Carolyn Case has small intimate paintings of oil which also feature layering of a different kind. Her exhibition is called Accidently, On Purpose, ...

Two Dancers at the Barre , early 1880s−c. 1900, Oil on canvas, 51 1/4 x 38 1/2 in. The Phillips Collection, Washington, D.C. Acquired 1944. This painting is the centerpiece of the current exhibition. Point....Flex.....Relevé-----these themes of ballet dancing were the obsession of Edgar Degas, an artist associated with Impressionism but known for his paintings and pastels of dancers. Washington's Phillips Collection recently put their large painting, Dancers at the Barre , under their conservator's care. In the process, they discovered wonderful color and took a deeper look into the process of this artist. The exhibition Degas' Dancers at the Barre: Point and Counterpoint transports the viewer into Degas' mind and back into the opulent Garnier Opera House which opened in Paris in 1875. Most of the paintings, drawings and studies in the exhibition feature women, mainly ballerinas. After viewing the show, I once again get the feeling that Degas is the foremost among a...

Frans Hals, Young Man and Woman at Inn, 1623 Metropolitan Museum of Art Willem de Kooning, Merritt Parkway, 1959, from the Detroit Institute of Art, Bequest of Hawkins Ferry, is in a n exhibition at the Museum of Modern Art (called MoMA), New York At first glance, Frans Hals and Willem de Kooning have nothing in common, other than being artists who originally came from the Netherlands. More than three hundred years separate their art and two very different New York Museums, the Met and MoMA, have exhibitions of their work. Hals was vividly realistic and de Kooning was a founder of Abstract Expressionism, but their common grounds are looseness of brushwork, luscious paint and bold energies going in all directions. In short, it is their painterly techniques. Women, II, in MoMA, part of the Blanchette Hooker Rockefeller Collection, is one of many paintings of women that de Kooning did in the 50s Analyzing the radiating diagonals of Hals' compositions and paint quality, we might won...

Electronic Superhighway, 1995,a gift from the artist to the Smithsonian American Art Museum, Washington. This 49-channel installation is neon, steel and other electrical parts. In the Tower: Nam June Paik is at the National Gallery of Art until October 2nd. This Korean-American artist introduced the realm of tv/video art with sculptures made of televisions in 1966. The exhibit encompasses themes and ideas important to art of the last 50 years. His last video sculpture made in 2005, Ommah (mother in Korean) uses a 100-year-old boy's robe, hanging like a cross, with a projection of Korean-American girls at play, linking past and present . It is in the National Gallery's permanent collection To fully appreciate his work one must see the exhibition in the museum's East Wing. His art is about tv/video, a relatively new medium in visual art. A room of Paik's drawings accompany the exhibition and help the viewer understand his thought process. One of the most interesting ...