retnoop

In the huge Villa Romana del Casale in Piazza Armerina, Sicily, a girl is can be seen through the corridor....................not one, but the room has 10 of these bikini girls engaged in some athletic activities. They are made of pieces of finely cut stone, set into mortar for a smooth finish on the floor. Mark Schara took these photos of the largest series of floor mosaics in the Roman Empire. Their games include the discus throw, weight lifting and ball tossing. One with a palm and crown may be a winner. From the mosaics in ancient Sicily we can trace the art of stone floor mosaics, backwards. Villa Romana del Casale in Piazza Amerina, covered by a landslide in the 13th century but now uncovered, has the largest group of extant mosaics from the Roman world. The cut marble stones decorated floors, not walls, of the palace. It is not known who built or owned the huge villa in the early 4th century, but it may be connected to the emperors, or gladiators in the late Roman Empire. ...

In Selinunte, Sicily, the remains of several Greek temples from the 6th- 5th century BC can reveal much about temple construction, although they fell to Carthaginian invasions and earthquakes not long after their building.                     Architect Mark Schara, with his good eye for detail, took almost all of these photos.  Temple E has most of its outer colonnade, the peristyle , restored . Classical harmony is apparent in the rhythm of fluted columns, continuing up into the triglyphs raised to the sky. . But many of the capitals have fallen. On the ground level, we can appreciate their large scale. Temple F was badly damaged . Much of the white stucco facing for the fluted limestone column on right is still visible. Tem ple G, below, was the largest of the 7 temples of Selinunte, the ancient city of Silenus. This temple had columns about 54 feet tall. Here, we see the c...

(Thanks to Mark Schara for the use of his photographs) The North Baths of Morgantina, in east central Sicily, date to the 3rd century BCE and may in fact represent the earliest dome that has been excavated in the ancient Mediterranean world. Like everything in the buried settlement of Morgantina, it was built before the Roman conquest in 211 BCE. This new evidence suggests that Hellenistic Greeks, not Romans, invented the first dome. However, unlike the concrete used by Romans to make domes, the construction material would have been terra cotta tubes found on the site; the sizes and formation of these tubes suggest they were used to make a domed space. Public baths were a staple of the ancient towns and cities. Morgantina was a small settlement and the dimension of its baths are modest. Yet the roofing of the North Baths structure appears very significant. Two oblong rooms and one circular room were found to have curved ceilings made of these interlocking tube...

This tall elegant Charioteer of Mozia or "Giovane of M ozia," was excavated in 1979. It brings up problems of identity, meaning and dating in Greek Art. A life-size statue was dug up in 1979 in Mozia, ancient Motya, a tiny island adjacent to the west coast of Sicily. The slightly larger than life-size Youth of Mozia demonstrates why it is necessary for art historians to constantly re-evaluate conceptions of style, meaning and dating in art. Everyone agrees it belongs to the 5th century BCE, and, based on exact location of the find and the layer in which it was buried, it cannot be later 397 BCE. Yet Mozia was a Carthaginian settlement and the Carthaginians were constantly at war with Greeks who controlled most of Sicily. The questions are: * Who is the subject? * What is the date? * Where was it made? * Why did it end up in Mozia? This statue has physical beauty, elegance, grace and transparent drapery. Feet and arms are missing but remnants of one hand dig into the correspo...

This is the first of 5 blogs on archeology in Sicily which will cover topics in art and architecture that can trace the island's history from the Archaic Greek period through the late Roman period in Sicily. I must thank Mark Schara and Kelli Palmer who have shared their photos. As with so many archeological sites, the excavation of a Greek settlement in east central Sicily, Morgantina, was subject to theft and sale of its treasures, notably a cache of fine silver and the Morgantina Acroliths, statues with only the marble heads hands and feet. The rest of the bodies may have been wood or cloth. These acroliths can be compared to the “Warka Mask,” a marble head dating back at least five millennia to ancient Uruk in Iraq, which was looted in 2003 but recouped by authorities at the Iraq Museum in Baghdad. The Morgantina acroliths have also returned close to home recently, on display since 2008 in Aidone, a town of about 6,000 inhabitants near Morgantina. For t...

Thomas Cole, Sun set on the Arno, 1837, is at the Museum of the Shenandoah Valley until January 23. The exhibition, organized by the Westmoreland Museum of American Art, is from a private collection. Whispy clouds hover above, almost like angels. Forty paintings from the Hudson River School of painting glow in the Shenandoah Valley, in the Museum of the Shenandoah Valley, Winchester, VA. Certainly this location has some resemblance to the Hudson River Valley and these paintings would naturally resonate in the community. Just as the 19th century artists centered mainly in New York and New England hoped to capture and hold onto the natural beauty of their unspoiled nature, the Shenandoah Valley still offers a resting place from too much human development. Entitled "Different Views of Hudson River Painting," the paintings will be in Winchester until January 23. Jasper Francis Cropsey, The Narrows of Lake George, in the Hudson River Museum. A smaller, view of Lake George wi...

"Vertumnus," 1590, is a portrait of a Habsburg ruler, the Holy Roman Emperor Rudolf II. Arcimboldo betrays a knowledge of plants from the New World: corn and pumpkins. This painting may suggest Rudolf II's worldliness and the bounty of his reign. In the tradition of L eonardo da Vinci and Albrecht Durer, 16th century painter Giuseppe Arcimboldo used his artistic skills to record his knowledge of the animals, plants, birds and fish, and he combined the seemingly opposite disciplines of art and science in a unexp ected way. The National Gallery exhibition of his paintings is called Arcimboldo 1526-1593: Nature and Fantasy. The paintings on display are primarily portraits. But instead of recognizable faces with traditional features, he composed his portrait heads of painted vegetables, fruits, flowers, fire, fowl, fish and frogs. His human beings are a rich composite of the natural world. Arcimboldo worked in Vienna as the court painter for the Holy Roman Emperor, first...